An annual library of vertical drama,
made in Brazil.
One production partner inside Brazil, with two contracting scenarios: 12 films / year (1 per month) or 24 films / year (2 per month). Full crew, locations, equipment, hair & makeup, wardrobe, post-production and delivery guarantee included — no rental add-ons, no FX surprises.
Already delivered 1 film to DramaBox. 250M+ paid views on ReelShort. Production experience with TikTok (ByteDance). Built from Brazil's 70-year telenovela DNA — Globo, SBT and Record have trained the largest pool of serialized-drama talent on the planet, and Berry operates from inside it. Second film in negotiation.
What DramaBox is contracting.
A closed library of 12 or 24 catalogue-ready films, delivered over 12 months by a single producer based in Brazil — the world's largest telenovela market. No juggling multiple suppliers, no standard variation, no FX exposure.
All within the contracted unit price.
Sixteen line items, one fixed price per film. No surprise invoices for crew overtime, equipment rentals, post stages or revision rounds — the contracted unit price is what DramaBox actually pays.
Screenplay & direction
Hair, makeup & wardrobe
Crew, locations & gear
Edit, finish & ship
Quality & delivery promises
Brands and platforms Berry has already produced for.
From contract to delivery.
The library flow repeats identically every month over the 12-month contract, with no operational surprises.
Contract signature
A 12-month MSA fixes the chosen scenario's unit price, exclusivity, SLA and payment terms. No renegotiating each cycle.
Production on a monthly cadence
1 film/month (Scenario 1) or 2 films/month (Scenario 2), with synopses defined up to 30 days before each cycle.
Delivery and acceptance
Final cuts delivered in the platform's technical standard, with up to 2 rounds of revision and a mandatory quality SLA.
Strategy.
What is being proposed, why this library stands on its own as a product, and what value it creates for the DramaBox catalogue over the year.
- 01Goal of the supply
- 02Annual library structure
- 03Per-film value rationale
Continuous, predictable and scalable supply.
This proposal sets the commercial terms for the supply of an annual library of vertical drama films — 12 or 24 titles, produced by Berry Productions with a vertical image standard, intended for distribution on the DramaBox catalogue. DramaBox chooses the volume that fits its editorial calendar; the contractual architecture is the same in both scenarios.
The goal is to enable a continuous, predictable and scalable supply relationship over 12 months, with a defined delivery cadence — 1 film per month (Scenario 1) or 2 films per month (Scenario 2) — and quality protection for both parties.
Brazil is the world's largest telenovela market, with decades of audience behaviour data, established storytelling codes and a production ecosystem that understands vertical drama at a native level. Berry Productions operates from within this ecosystem — not as an external supplier, but as a stable local arm with infrastructure, talent and logistics already validated.
One library, two volume scenarios.
The library scales with DramaBox's calendar: 12 films at one per month, or 24 films at two per month. Same contract, same quality standard, same payment structure — only the unit price and cadence change.
- Total volume
- 12 films (Scenario 1) or 24 films (Scenario 2) per year
- Cadence
- 1 film/month (S1) · 2 films/month (S2)
- Format
- Vertical (9:16), platform-ready master
- Script definition
- Up to 30 days before each delivery cycle starts
"The price reflects the capacity to feed the catalogue — not just the cost of producing 24 films."
One contractor, operating from inside the world's largest telenovela ecosystem, with the image standard that retains audiences and converts into per-episode revenue.
Why the price per film stands up
05 ITEMS- Retention
Local Productions
Brazilian cast and real locations. Authentic local production that builds audience connection and drives retention from the first episodes.
4Kcapture standard - Consistency
Pipeline with visual bible
Continuity of elements across scenes ensures character and set consistency over the episodes, reducing rework and audience complaints.
100%scene continuity - Cultural fit
Produced in the world's largest telenovela market
Brazil has the deepest audience understanding of serialized drama on the planet. Decades of data, local storytelling codes and an established production ecosystem mean scripts land with cultural precision from day one.
#1serialized-drama market - Track record
The only B2B operation with a proven public model
2 films already delivered to DramaBox. 250M+ paid views generated for ReelShort. Production experience with TikTok (ByteDance). Proven track record inside the Brazilian market — the largest serialized-drama audience on the planet.
250M+paid views generated - Operations
In-house team and infrastructure
Logistics, costume and cast already validated in continuous production. No learning curve for DramaBox.
0learning curve
Why contract the annual library, not film by film
04 ITEMS- Cadence
Catalogue predictability
2 films/month guaranteed, with no scheduling conflicts against other clients.
2/moguaranteed cadence - Economics
Significant savings vs. current film cost
The film already produced with DramaBox cost US$ 157K. The annual contract locks the price at US$ 130K per film (12/year) or US$ 120K per film (24/year) — a saving of up to US$ 37K per film compared to the one-off price.
−US$ 37K / filmvs. US$ 157K film - Risk
Reduced operational risk
A single contractual relationship replaces the management of multiple ad-hoc suppliers, with a unified quality standard and cadence across the library.
1contract · 24 films - Speed
Speed of response to trends
Script and production aligned with DramaBox's editorial calendar, allowing trending genres to be launched within the quarter.
<90dtrend → release
Each film, at US$ 120K – 130K, pays for itself with a relatively low volume of revenue per monetised episode.
Vertical drama platforms generate recurring revenue from episode unlocks over months of exhibition. The higher the retention driven by image standard and script, the higher the return per film over the title's lifecycle in the catalogue.
Operations.
How the supply actually happens: delivery cadence, exclusivity options, mandatory quality standard and contractual architecture.
- 04Quarterly schedule
- 05Quality SLA
- 06Contractual structure
Twelve months. One or two films a month.
Same 12-month window in both scenarios. Cadence is the only thing that changes: a single film per month under Scenario 1, two films per month under Scenario 2.
12 films across 12 months.
24 films across 12 months.
Cadence planned to keep the catalogue feeding consistently across the 12 months, with production windows designed to absorb unforeseen events without impacting the editorial calendar.
End-to-end production. Nothing outsourced.
Berry controls every layer of the pipeline — from location scouting to final color — so DramaBox receives a consistent, platform-ready library without gaps in quality or accountability.
- 01Curated locations — every set is scouted, dressed and approved to match the script's world.
- 02Casting directed by Berry — talent selection, lookbooks and screen tests included in the pipeline.
- 03In-house production crew — directors, DPs, art department and producers dedicated full-time to the slate.
- 04Wardrobe built per film — original costume design, continuity tracking and set-ready fittings.
- 05VFX and finishing pipeline — color grade, cleanup, graphics and final delivery handled internally.
- 06Makeup and grooming team on set — continuity looks and character aging managed across scenes.
Two levels, no renegotiation each cycle.
Berry + DramaBox Brasil
Fixes the chosen scenario's unit price, exclusivity conditions, intellectual property, SLA and payment terms for the full 12-month period.
- — Unit price per scenario
- — Exclusivity
- — Intellectual property
- — SLA
- — Payment terms
Per-Cycle Statement of Work
Details synopses, specific deadlines and cast of each delivery cycle, signed before the cycle starts.
- — Cycle synopses
- — Specific deadlines
- — Cast
- — Production details
Commercial.
The financial reading of the contract — the two volume scenarios, savings vs. market reference and the annual price guarantee.
- 07Two scenarios — price & payment
- 08Annual contract guarantee
Two scenarios, same payment structure.
Choose the volume that fits DramaBox's calendar. Both scenarios are paid with 30% upfront on signature plus 4 equal quarterly installments. All-in: script, full crew, locations, equipment, hair / makeup, wardrobe, post-production and delivery guarantee.
| Item | Scenario 1 | Scenario 2 |
|---|---|---|
| Films / year | 12 | 24 |
| Cadence | 1 / month | 2 / month |
| Price per film | US$ 130.000 | US$ 120.000 |
| Annual total | US$ 1.560.000 | US$ 2.880.000 |
| Upfront (30%) | US$ 468.000 | US$ 864.000 |
| Remaining balance | US$ 1.092.000 | US$ 2.016.000 |
| Quarterly installment (× 4) | US$ 273.000 | US$ 504.000 |
| Unit price discount at scale (vs. base cost of US$ 150K per film) | −US$ 20K / film | −US$ 30K / film |
Berry's most recent vertical-film sale closed at US$ 157,000 per title, and a second deal is currently being negotiated around US$ 170,000. Both scenarios below price each film well under that market reference — the savings scale with volume.
| Reference price | Scenario 1 · 12 × US$ 130K | Scenario 2 · 24 × US$ 120K |
|---|---|---|
| vs. US$ 157K / film (recent sale) | −US$ 27.000 / film (−17,2%) | −US$ 37.000 / film (−23,6%) |
| vs. US$ 170K / film (in negotiation) | −US$ 40.000 / film (−23,5%) | −US$ 50.000 / film (−29,4%) |
| Annual saving vs. US$ 157K | US$ 324.000 | US$ 888.000 |
| Annual saving vs. US$ 170K | US$ 480.000 | US$ 1.200.000 |
| Saving at market mid-point (US$ 163.5K) | US$ 402.000 | US$ 1.044.000 |
Read: at the mid-point of Berry's current market (≈ US$ 163,500 / film), Scenario 2 saves the client over US$ 1 million per year compared to buying the same 24 films at one-off prices — and still locks Berry's production calendar in advance.
Exclusivity is not bundled into either scenario. If DramaBox requests it, we offer exclusivity strictly to other vertical-cinema platforms — keeping Berry free to run its other production verticals. Commercial terms defined in annex if triggered.
Values in USD. Quarterly installment rounded down to the nearest dollar; final cents settled on the closing parcel.
Locked unit price. Any genre.
With the annual contract, the per-film price of the chosen scenario stays locked for all titles in the library — US$ 130K/film in Scenario 1 (12 titles) or US$ 120K/film in Scenario 2 (24 titles), regardless of genre, complexity or production scale.
Power struggles, loyalty tests, and high-stakes crime families. Strong emotional arcs with cliffhanger endings.
Forbidden love, unexpected encounters, and relationship dynamics. High audience retention across all demographics.
Personal transformation stories, from underdog to triumph. Inspiring narratives that build deep viewer empathy.
Youth drama, campus life, and coming-of-age journeys. Highly relatable for DramaBox's core Gen-Z audience.
Speculative worlds, alternate realities, and imaginative storytelling. Expands catalogue diversity and premium appeal.
Fast-paced sequences, chase scenes, and adrenaline-fueled plots. Proven driver of binge-watching behavior.
No surcharges for action scenes, no premium for period pieces. The same unit price applies to every film in the annual library.
Ready to kick off the first cycle.
Four decisions stand between us and the signature and start of production.
- 01Validation of the chosen scenario (12 or 24 films/year) and monthly cadence by DramaBox.
- 02Decision on the exclusivity option.
- 03Signing of the Berry + Drama Box Brasil agreement.
- 04Definition of the first cycle synopses and production kickoff.